11/2/2023 0 Comments Don knotts and tim conway movieJones plays “Wilby Daniels,” the same character played by Fred MacMurray in the 1959 film. The film was a sequel to 1959’s THE SHAGGY DOG. GUS grossed $21.9 million at the box office.Ĭonway’s fourth film for Disney saw him co-starring with Dean Jones and working with Suzanne Pleshette in the 1976 comedy THE SHAGGY D.A. Vincent McEveety directed the 1976 film, which had an unreleased score by Robert F. The film marked the final feature film performance of Bob Crane, who was murdered in 1978. “Happy Days” father Tom Bosley and slapstick favorite Tim Conway form a comic team as crooks hired to menace the mule. Other pros appearing in GUS include Bob Crane, Harold Gould, and Dick Van Patten. Grimes shares most of his scenes with Ed Asner, who plays a team owner Don Knotts, who plays a coach and real-life former NFL player Dick Butkus, who plays Gus’ gridiron rival. Gary Grimes, the earnest young star of 1970s films such as SUMMER OF ’42 (1971), concluded his brief feature career by starring as “Andy Petrovic,” Gus’ handler. The competition, however, isn't so happy. But by switching the mule (“Gus”) from team mascot to team member, (He can kick 100 yard field goals!) they start winning, and move up in the standings. GUS was a shaggy mule story about a professional football team, the California Atoms, who are in last place with no hope of moving up. This is a quality DVD release of a nice, little movie.Non-Film Score Discussion: TIM CONWAY, RIP.:-( Finally, there is a still gallery with 35 production photos. The trailer is pretty grainy and has many audio snaps and pops. We also have the original theatrical trailer for the film, which is presented full-frame. It’s obvious that he’s very proud of ’The Private Eyes’ and speaks highly of the cast and crew. Conway does most of the speaking here and is animated and loquacious throughout the film. The DVD features an audio commentary with star Tim Conway and director/producer Lang Elliot (who worked on five films with Conway). This audio mix offers clear and audible dialogue, which is important, as both Conway and Knotts have a tendency to mumble. The audio is a Dolby Digital Stereo presentation, which offers no surround sound, and only minimal distinction between the front right and left speaker, with the majority of the sound coming from the center channel. The picture is somewhat dark at certain spots in the film, but this doesn’t affect the color scheme, which comes across very well. There is some fuzziness around the edges of the frame, but this is minimal. The image is clear and sharp, and only shows a slight amount of grain. The film is presented in a full-frame format. I’m not very familiar with Hen’s Tooth Video, but they’ve done a pretty good job with ’The Private Eyes’ DVD. Funny, exciting, and a bit creepy at times, ’The Private Eyes’ is a film that deserves to find a new audience. There are a couple of racy jokes (mostly dealing with the busty maid), but the majority of the film is fun for the whole family. Though the movie is very light on plot and most of the dialogue feels improvised (Conway admits that the film was written in two days!), seeing Conway and Knotts in action together is worth the price of admission alone. And with Tim Conway and Don Knotts in the film, you know it’s going to be funny. ’The Private Eyes’ is good, wholesome, old-fashioned comedy. The pair meet the odd assortment of characters who live in the mansion and then set about trying to solve the murders, as more bodies pile up. They have been summoned to Morley Manor to solve the murder of Lord and Lady Morley. The movie stars Don Knotts and Tim Conway, as the bumbling Inspector Winship and Doctor Tart. This 1980 comedy was shot at the Biltmore Estate in Asheville, North Carolina, a scenic spot that I’ve visited many times over the years. That’s just one of the reasons that I’m excited about the recent release of ’The Private Eyes’. For those of us who don’t live in New York, L.A., or Chicago, it’s a rare and exciting treat to see a film that was shot at a location that one is familiar with.
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